patientrecords:

rufflesnotdiets:

vintagick:

I love this one, her eyes are so striking.

One is simply not properly dressed without a proper hat.

Simply gorgeous.
babydoughnut:

1925
curate:

“You can  still be feminine and have balls.” – Tura Satana 
She was born in Hokkaidō, Japan in 1935 to a silent movie actor and a  contortionist who performed with the circus. She’s of Japanese,  Filipino, Scotch-Irish, and American Indian heritage. Her family spent  time at the Manzanar Relocation Camp in Southern California before they were relocated to Chicago during  World War II. Satana grew up on the Westside, in what she calls “The Mafia  Section of town.”
Hers was the only Asian family in the neighborhood. As a result, she  suffered daily harassment from other schoolchildren that forced her to  continually have to fight her way to and from school. She also blossomed  early – by age nine she was wearing a size 34C bra – a matter that made  grade school life even worse.
At the age of nine, Satana was assaulted and raped by five men. They  were caught and arrested, but never prosecuted. It was  rumored that the judge had been paid off with a $1,000 bribe. She  was sent off to reform school for “enticing” them – the victim had been  blamed.
Her father taught her self-defense and she went on to earn a green  belt in aikido and a black belt in karate. In Jimmy  McDonough’s Big  Bosoms and Square Jaws: The Biography of Russ Meyer, King of the Sex  Film, Satana says, “If I could help every woman this has  happened to, I would. It is in your spirit to conquer this degradation.”
Satana made a vow to herself that she would get even with each and  every one of her attackers. Over the course of several years, she tracked  each one down, and she kicked their asses.
After her assault, she was in a girl  gang that was for the protection of females in the neighborhood  (initiation rites included piercing your ears with a knife). A few years  later, at the age of 13, she was briefly married to a 17-year-old in an  arranged partnership. After their divorce she moved to Los Angeles, got  a fake ID and worked as a blues singer and nude model. At age 15 she  began her career as a burlesque dancer in Calumet City, Illinois.
Satana dated Elvis in the 1950s – a relationship that was kept quiet  for obvious reasons. He copied some of her dance moves, and even  asked her to marry him, but she told him “No.”
Her first film role was in 1963’s Irma la Douce.  She then appeared in episodes of Burke’s Law and The Man From  U.N.C.L.E. The part she’s most recognized for came in 1965’s Faster, Pussycat!  Kill! Kill! in which   she plays Varla – the thrill-seeking, vicious, and deadly leader of a  girl gang of go-go dancers.

Satana  has said: “There are a great many similarities between Varla and  myself. Varla was an outlet for some of the anger I felt growing up. She  was also a statement to women all over the world that you can be a  take-charge person and still be sexy. She also showed the women  world-wide that women don’t have to be weak, simpering females. They  just go after what they want and usually get it.”
Kicking Ass and Taking Names: An Actress Spotlight on Tura Satana | Bitch Media
theimages:

Guitar, Lorena Alvarez
fuckyeahbikinikill:

Bikini Kill - Zine #1